John Galt and the Elgin Marbles

This is an example of one of those times when I've very audibly (and embarrassingly) shouted "NO way!" while doing research. This is also an example which proves just how small and interconnected our world really is. It's the story of how many of the Elgin Marbles came incredibly close to being known to us today as the Galt Marbles.

Portion of the east side of the Parthenon pediment,
on display at the British Museum

John Galt was doing what any 19th century man of his means would do when under the weather, or otherwise evading creditors or looking for distraction; tour the continent. He left London in 1809, and by 1811 had found himself in Italy and in Greece. The Mediterranean was a popular place at the time, especially for Romantic poets and writers eager for inspiration from the "East". Lord Byron, one of Galt's contemporaries and sometimes travel companion, was also in Greece at this time. It is Galt's connection to Byron that introduces him to the world of opportunistic art sales.

In his book Byron and Scotland: Radical or Dandy, Angus Calder describes Byron's friendship with Signore Luseri, an Italian Agent and artist-in-residence in Athens for Lord Elgin. Luseri had been working with Elgin for almost a decade in Greece on the documentation and eventual removal of the Parthenon sculptures to Britain. Despite Byron's protests that such removals of ancient artefacts were tantamount to rape,  he continued his friendship with Luseri.


It is during the second shipment of the marble statues out of Athens that John Galt becomes involved to the point where his morals are set firmly aside.  He learns from Luseri that Elgin is having financial issues, and may be unable to pay the freight (the cost of the ship, etc.) when it arrives in Malta. The ship would then of course confiscate its cargo in lieu of payment, and deal with the sculptures as the captain sees fit. Galt is not the only one to hear of this desperate news, however, for the French as also keen to add to their collection.

Monsieur Favelle, the French Consul in Athens, had been instructed to remove any and all possible works of antiquity from Greece and supply them to the Musee Napoleon (the Louvre) for permanent and glorious display. Upon hearing of Elgin's money woes, Favelle sees a chance to seize the shipload and claim the pieces for the Emperor. Galt decides (aboard the very ship that the marbles are travelling on) that he will pay the freight, save the day for Britain, and make a tidy sum for himself once he sells the cargo to eager and illustrious buyers in London.

John Galt, from his Autobiography in 1833

The plan could have worked wonderfully. The British Museum could now be in possession of the Galt Marbles, as well as the Elgin Marbles. Galt could have been an even wealthier man - would he have spent those funds creating more settlements in Upper Canada? Luseri, however, was a man of business and persuasion. He managed to alleviate the debts of Elgin in Malta and retain possession of the Greek artefacts; eventually sending them all the way to Britain. Galt was admittedly conflicted by this outcome. While he was saddened by the loss of fortune and fame that the sculptures would bring him back home, he was also steadfast in his agreement with Byron that the works were taken wrongfully in the first place.

Sources
The British Museum 2014, "What are the 'Elgin Marbles'?"
John Galt's 1833, The Autobiography of John Galt
Angus Calder's 1989, Byron and Scotland: Radical or Dandy?
Ozlem Caykent's 2010, "John Galt's Travels"

Further Reading
Encyclopaedia Britannica 2014, "Thomas Bruce, 7th Earl of Elgin"
Biography.com 2014, "Lord Byron Biography"
Metropolitan Museum of Art 2014, "Romanticism"